Oliver Grimm
作品・Works
MUTSUMARU
20min, 3 channels, 2022
The sounds of a city - construction and demolition, transportation and people - together with the rhythm of breath and synthesized sounds make out the material for this work. Their intrinsic properties are translated into movements that form the three channel composition.
BLUEPRINT MUTSUMARU
11min, 3 channels, 2020,21
BLUEPRINT MUTSUMARU is a first independent sketch for the larger work MUTSUMARU.
SHIOSAI
7min, 4 channels, 2018
The basis of the piece is built on a simple two-part tone sequence, narrow-banded resonant noise generators, and the sound of waves at the shore.
散歩道・SANPOMICHI
10min, Stereo, 2012
First work focusing on structural aspects of sound. A short improvisation by Chieko Mori on the bass Koto is the base material for this work in four scenes. Commission by the Lower Austrian State Government.
BEPPU PROJECT
45min, Stereo, 2006
Electro acoustic collages contemplating characteristic sounds of Beppu City, Oita, Japan together with studio recordings of improvisations by Chieko Mori on the 17 string bass Koto. First work with Guenther Rabl’s standalone VASP and AMP programs.
KOTOISTIC
17min, Stereo, 2003
Electronic transformations of Chieko Mori’s improvisations and overdubs on japanese Koto. First (and only) work with Max/MSP external library VASP.